Showing posts with label Flash. Show all posts

Mid-Season Finale Rundown

To say the last few weeks have been a little crazy around my place would be an understatement. But alas, after a smattering of unpaid bills, Internet outages, and one computer hard drive crash, I can safely say that I'll be able to pick up with the weekly reviews starting on Monday with the return of Gotham. What I can't so easily profess to know is how this review is going to turn out. Instead of doing a full recap individually, I'm going to hit the high points because, let's face it, if you've seen the finales of Gotham, The Flash, Agents of S.H.I.E.L.D. and Arrow, then you've already freaked out all over the Internet about at least three out of four.... So without further ado, let me tell you what I loved and didn't love. Oh, and happy New Year! Hopefully 2015 will be filled with nothing but on time reviews and perfectly working computers!

Gotham Season 01 Episode 11 "Lovecraft"

  • I could defend Gotham through all the tonal whiplash and boring one off villains, but I can't defend the show if it insists on kicking the can down the road instead of addressing legitimately interesting plot points. The Bruce/Selina excursion was fun, but ultimately felt pointless and while Gordon's new posting might liven things up, this is still not the Gotham we deserve. 
Verdict: 6.0

Duck It

The Flash Season 01 Episode 09 "The Man in the Yellow Suit"

  • WHO IS HARRISON WELLS??!!?!?!?!?!?!!!? The answer to this question remains frustratingly illusive, but we finally get to see the apparent of killer of Barry's mother when Zoom or The Reverse Flash shows up. Barry also displays real fear when he realizes that he can't seem to match up to his nemesis, not just of being outmatched, but of failing his mother, father and ultimately himself. There's going to be a LOT to address when the show returns in a few weeks.

Verdict: 8.0

Watch It Like a Fox

Agents of S.H.I.E.L.D. Season 02 Episode 10 "What They Become"

  • I swear these shows were planning around each other, because every mid-season finale got more engrossing than the prior. Agents of S.H.I.E.L.D. had a... troubling first season, but this is officially the last time I'll remember to mention that because season two has fully redeemed the show. Largely because its made itself somehow more important in the MCU than the titular cinematic experiences themselves! Avengers: Age of Ultron is almost certainly going to address the Terrigen Bomb Skye and Raina set off in this episode, but this world changing event will have most impact in this show when it hits airwaves again in... Wait, what?! MARCH?!!! NOOOOOOOOOOOO!

Verdict: 9.0

Watch It Like a Fox

Arrow Season 03 Episode 09 "The Climb"

  • It is now January 2, 2015. I watched this episode live on December 10, 2014. I still haven't fully processed the ramifications of it. While I would like to float theories about Oliver really being dead and Connor taking his place, or Barry taking a trip on his cosmic treadmill, realistically, we're probably going to see Oliver revived due to the magic of a "Lazarus Pit." Comic readers will know that they can rejuvenate a living person of revive a person from death itself, but sometimes (usually) at the cost of a person's sanity. Ra's Al Ghul probably started off marginally less crazy than he was, but he's been using them to keep young and virile for decades or even centuries depending on how closely they follow the comics. Point being? Oliver is likely to get a revival, but how? And does this give us hope of Sara and/or Tommy coming back to life? If not, what will allow Oliver to revive but not them? Oh, and Laurel is stepping up come January 21st, so basically this show has hit full comic book awesome, and it's setting itself up for greatness again.

Verdict: 9.5

Watch It Like a Fox

 

World's Finest The Flash Season 01 Episode 08 "The Flash Vs. Arrow" Review

World's Finest Team-Up (On The CW)
A common trick of a narrative in fiction is the mashup of one character who seems to be a twisted reflection of another, usually main, character. They aren’t direct opposites, but just more or less… extreme versions of the main character. A cop might meet an special forces soldier. A doctor might meet an obsessive surgeon. Batman might meet Superman. Or, as in the case with the very well titled “The Flash vs. Arrow,” The Flash might meet Arrow. Though of course, both of these characters are essentially the TV-friendly version of those other titans. Though Barry Allen wasn’t sent to Earth from a dying planet, he’s certainly got the optimism and moral rigidity of Superman from the comics.
But I digress: “The Flash vs. Arrow” elevates The Flash to a whole new level by bringing in an excellent mentor/foil in the Arrow himself. Oliver Queen is a wholly different kind of hero when compared to the somewhat goofy and jovial Flash. Barry Allen, from the beginning, wants to fight crime and save people’s lives because he genuinely wants to. When he first starts out, Oliver feels obligated to do the things he does. And, as pointed out in the episode, he isn’t really all that good at first, morally speaking. He kills people in cold blood and is only working his way down the list of wealthy douchebags his father left him. Even though he’s an established quantity in Starling City now, outside of it, he’s seen as the indirect cause of terrorist attacks on the city and a murderer. Joe West does not like the idea of Barry hanging out with him for good reason.

Of course, Joe himself is mirrored in this episode when Eddie reveals his desire to have The Flash locked away. To Eddie, the Flash’s flagrant disregard for law enforcement is cause for alarm, and probably arrest, but his attempts at putting together a task force to investigate him meet with ridicule. Just as Barry brushes off Joe’s distrust of Oliver. The episode starts with Joe and Eddie raising their objections so they can land in drastically different positions by the end. But it’s also important because selling the relationship between Oliver and Barry is easier when Barry can actually understand how his allies see the Arrow.

Barry’s always been well received by the populace, or at least Iris, and so feeling like he was being attacked by Eddie naturally drew out his dark side when he’s whammied by the villain of the week. Another generally forgettable and uninspired villain who can manipulate light to make people go crazy. The best thing about this week’s enemy was him being the cause of Felicity and Caitlin’s geek girl bonding. Being a super genius is generally such a “bro” thing (in real life and fiction) that it’s especially touching when women get together to use their intellect. I hope we eventually get a(nother) Birds of Prey or something out of The CW’s DCTVU. Diggle and Cisco also got some great lines as they did a “who would win” between Barry and Oliver.

And really, the best part about this episode was just how easily the characters flowed with each other. With the exception of the always creepy (or “off” as Oliver puts it) Harrison Wells, every character from The Flash got a little time to shine, and Diggle, Oliver and Felicity made nice impressions on most of the cast. Last week’s Arrow thankfully didn’t have severe repercussions on Oliver and Felicity’s friendship, or at least they didn’t focus on them in this episode. So instead we get Felicity adorably hawking Oliver to go help Barry. Barry and Oliver’s friendship is the lynchpin to the whole thing, though, and their banter is marvelous. By the time Barry gets whammied and tells Oliver off because he’ll “Never be as fast as [he] is,” his rage fueled assertions are more adorable than hurtful. Oliver’s stone faced stare off with Barry, ending with a “Felicity said you didn’t want my help,” actually makes him seem kind of hurt. Which is all the more reason for him to pull out all the stops by the episodes end.

The fight of the century may be Batman v. Superman (Dawn of Justice. This parenthetical brought to you by DC Cinematic Studios), but “The Flash vs. Arrow” is a fantastic warm up bout. Both characters display their drive an ingenuity in move after counter move after move against each other, and through it all Barry’s inexperience is as evident as Oliver’s ingenuity and skill. Oliver didn’t have much time to set up tricks and traps, but between quick thinking and a clear head he manages to incapacitate Barry long enough to reverse his transformation. The coda, where the two work together to put the horribly named Roy G. Bivolo (AKA, Rainbow Raider) behind bars at S.T.A.R. Labs is just icing on the cake.

Through all this, Harrison Wells discovers Oliver’s identity, allowing Joe to reevaluate his opinion of the Arrow. On the flip side, Eddie’s crusade against the Flash is official sanctioned by Captain Singh after Barry, still in a Rainbow Raider haze, rips him from the car he and Iris were commuting in and threatens to make his day end very badly. This is a development I’m really kind of glad for, because while normally creating the rift between vigilante hero and law enforcement relies on either an especially dark hero or an especially dark officer, The Flash had neither of these characteristics. Creating a genuine misunderstanding works so much better than poisoning Thawne’s character prematurely. Though it still leaves Iris back to where she started, making decisions for her life based on her connection to her current love interest.


By mirroring the hero and giving everyone in the cast a moment to reevaluate their preconceptions regarding the heroic figures appearing in their lives, The Flash reaches new heights while maintaining its sense of fun and adventure. Here’s hoping tomorrow’s episode of Arrow similarly elevates that show, because lord knows it’ll need something to get out of its rut. 

Score: 9.5

Watch It Like a Fox:

    • Diggle. All the Diggle."I had a cousin get struck by lightning once. All he did was develop a stutter."
    • Bonus: Felicity and Caitlin womance!
    • Eddie is a pretty cool guy. He fights Flashes and doesn't afraid of anything.
    • Fantastic showdown combining Arrow's fight choreography with The Flash's excellent special effects.
    • Captain Singh is officially out of the closet!
    • FireStorm!
Duck It:
    • The Flash being wanted by Police seems forced.
    • Iris takes a step back.
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Yippie Ki Yay The Flash Season 01 Episode 07 "Power Outage" Review

You Wouldn't Hurt a Guy Whose Faking Being in a Wheelchair, Would You?


Note: This review, like every review for Thanksgiving Week, will be much shorter due to all the turkeyness of the week. You should get the gist of whether the episode is worth watching or not, though.

Aaaaaaand we’re back. After a stellar episode where Barry learns to come to grips with who he is now, and really takes on the qualities of a hero, the show forces him back into being a less capable superhero. Granted, this makes sense to a point. It’s not like taking down your old elementary school nemesis would change you overnight into the best version of yourself. But giving Barry “The Yips” immediately after he figured out how to perform a super sonic punch just feels tacky. Nonetheless, the episode used its premise well, allowing us to see Barry use his wits instead of his speed, and creating the most complex villain we’ve seen since “Going Rogue.”
That villain being Blackout, a guy who siphons electricity from anything he can find just to sate his particle accelerator induced hunger. When he siphons energy from Barry he ends up siphoning his powers for a brief moment, and so Barry is forced to run and hide with the others at the lab. Harrison Welles frees Tony Woodward, using him as a distraction to buy time for Barry’s cells to recharge, and Woodward actually develops a little bit as a result, though he naturally dies fighting Blackout, who can also discharge electricity like nobodies business. This is the first terrible act Harrison Welles has committed openly in front of his proteges at the lab, and it’s great to see him getting called out for it.

Before finding himself at S.T.A.R. Labs, Blackout had fed on the city’s power grid, causing a blackout as the police were transporting William Tockman, AKA “The Clock King,” (Robert Knepper reprising his role as the villain originally seen on Arrow). Tockman manages to escape and force a hostage crisis which is only resolved when Iris scores another takedown. This little side story is thrilling because we get to see Iris be a complete badass again, and also because we get to see The Clock King be stone cold again. Also nice to see that we can get a save without having to rely on The Flash. Speaking of…

Eventually Cisco suggests that Barry has the Yips, and Barry manages to power through and take down Blackout once and for all. We’re not treated to much in the way of a cool takedown as Blackout seems to “overload” when he attempts to drain Barry of more energy. All in all, “Power Outage” was a decent outing which didn’t quite manage to be as tense as it was attempting. At least Iris’s KO count is rising. Hopefully she’ll be even with Barry after next week’s crossover.  

Score: 7.0

Watch It Like a Fox:

    • Iris continues to impress.
Duck It:
    • Not a lot really happened. Challenging the hero's motivation this early on wasn't such a good idea.
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Sonic Boom The Flash Season 01 Episode 06 "The Flash is Born" Review

The Flash is Officially on The CW!
If you want to hit the superhero sweet spot for nerds, your best bet is to depict a scrawny dude who has little luck with girls, is a little too excited by science, and whose father figure encourages him to run from fights. Let’s face it, that’s basically us, and part of the appeal of superhero fiction is being able to imagine yourself as the hero. Tonight’s episode of The Flash completes Barry’s origin story (well, it at least gives him the familiar name) and forces him to confront an old nemesis. How old can he really be after only seven weeks of show? Think back to grade school. Greg Finley’s Tony Woodward (AKA, Girder) is a slimey douche who has had eyes for Iris since he and Barry were in elementary school together. Back when he used to insult Barry’s dad, then push him around after Barry tried to fight him.

“The Flash is Born” is a lot more than just wish fulfillment. Barry spends the majority of the episode struggling to come to terms with Iris’ continued blogging about his alter ego. Now that he knows she’s writing for him, it’s much harder to take umbrage with her blog. Meanwhile Joe decides to semi-officially look into the murder of Barry’s mother now that he knows Barry wasn’t necessarily imagining things. His first lead is Harrison Wells himself—because who better to have a chat with supernatural powers than the man who started the metahuman craze?

Barry spends some time with Eddie Thawne as well, which works okay as far as Barry’s misleading his suspicions on metahumans goes, but when they start getting into Iris West I want to roll my eyes. Maybe it’s because we’ve seen this exact same beat with Tommy/Laurel/Oliver on Arrow, but I’m really hoping the show doesn’t attempt to do much with the love triangle. There also seems to be a hint that Caitlin Snow is warming up to Barry, but I might be misreading her genuine concern for a friend for jealousy when she asks him of his whereabouts. And it sucks because there’s some genuinely awesome bromance going on with Eddie and Barry. I’m sure Tumblr has already dedicated a sizable community to their “friendship.” But seriously, when Eddie, frustrated with the investigation of Tony Woodward being handed off to the state police, takes Barry to the precinct gym to work over a sandbag, it’s genuinely great to see him teach Barry how to land a punch that counts. Learning that this suave, capable detective was bullied as a kid humanizes him a great way. If he does become the Reverse Flash as everyone predicts, it’ll actually kind of suck because of how great of a guy he is.

After everyone has had their karate kid moment, Barry is ready to take his speed to the next level and actually throw a punch that matters. He has the perfect opportunity as well, as Tony has kidnapped Iris and taken them to their old school. The thing about this show is that even when everything else is pretty middling, it manages to make the final scene feel as epic as any final confrontation in various super hero films. When Barry steels himself and then turns around to gather the velocity necessary before taking the hit that matters, it’s just perfection. Cisco’s exclamation just about sums it up. We even got to see Iris standing up for herself!

“The Flash is Born” captivates by exploring the less traumatic events of Barry’s past and allowing him to finally break out of his heroic shell by learning not just how to fight, but how to win.

Score: 8.5

Watch It Like a Fox:

    • A theme that resonates with a lot of people, even though the villain was lackluster.
    • Finally! We have "The Flash" instead of "The Streak!" Though it's actually only a marginal improvement, at least the former name has the benefit of history making it seem not so pervy.
    • "SUPER SONG PUNCH BABY, WOO!"
    • Iris has quite the punch.
Duck It:
    • Cookie cutter villains are back.
    • Stop it with the love triangle!
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Back On Track The Flash Season 01 Episode 05 "Going Rogue" Review

CW


The Flash is proving to be quite the dizzying series. Last week I complained about the lack of real progress in the main character arcs as well as a lack of interesting, complex and challenging villains. This week, I can scarcely believe I’m watching the same show as the week before. And it’s primarily thanks to the ever amazing Felicity Smoak (Emily Bett Rickards from… Oh come on, you know) as Barry’s temporary sidechick and Wentworth Miller as the cool badass Captain Cold, who actually pushes Barry to do some really cool things by being truly heinous: killing someone while he and Barry do battle. 

The episode starts as idyllic as usual, with Barry playing a trio of games against his labmates in STAR Labs. Then they hear a robbery is ongoing, and Barry races off to find an armored truck being attacked. He manages to stop the robbery, but not before a guard gets shot. He gets the guard to the hospital and has a chat with Joe about the robber. After a fast flip through of a suspect book, Barry singles out Leonard Snart. Funny name, but not so funny guy—he’s a notoriously skilled thief who meticulously plans out his “jobs” so he can get away clean. And his latest job involves using a stolen “cryogun” to rob a museum full of diamonds. 

From here, episode becomes a fast paced, high stakes thrill ride full of the superhero action I had been waiting for. Make no mistake, this isn’t to the detriment of the characters. How could it be when Felicity shows up? Felicity, Eddie, Barry and Iris have a particularly amusing and illuminating scene at a local restaurant when Felicity and Barry somehow get invited on what’s really a date for Eddie and Iris. The flirtations between Barry and Felicity start with their killing it at game night and getting each other’s nerdy jokes, and end with Barry planting one on her! 

The Flash Streak has a much worse date night. He runs out to stop the museum heist, only to face the wrath of Captain Cold. And in a pivotal scene, he fails to prevent the death of an innocent bystander during the battle. I admit, actually having Barry fail is perhaps the most engrossing thing about this hour. And to add insult to injury, turns out the cryogun was developed by Cisco. The same goofball that’s such a huge fan of Barry was trying to figure out a way to kill him, should it ever come to it, before they met. It’s all very Batman. And yes, I did just compare Cisco to Batman. Weird… Point is, Barry is double demoralized by the fact that his own friend came up with the device that ended someone’s life. 

He gets his mojo back, though, by having a nice chat with Felicity as she’s leaving via train. Train that is promptly attacked by Captain Cold. In the climax, the show really shines by having Barry rescue every single passenger on the train in a stunning sequence. The way the red blur traverses the tumbling, shifting mass of train cars as they crumple towards a stop after the crash is truly some of the best work the show has done. It’s the equivalent of Arrow’s best hand to hand combat scenes, and I am really thrilled this series has the budget to do stuff like this. After rescuing everyone, Barry faces down Cold directly and it’s not looking good until Cisco arrives to save the day! Once again, I’m impressed with the depth that has been added to Cisco’s character over the past few weeks. He’s really become interesting in his own right. He bluffs Captain Cold into backing down, leaving the inevitable return on the table. The episode ends with reconciliations all around, and Captain Cold encountering old buddy Dominic Purcell Heat Wave. Now this looks like it’ll be good!


Score: 8.0

Watch It Like a Fox:

    • Yeah, Captain Cold!
    • You're all over the Barry/Felicity.
    • You've been waiting to see an extended, unique super speed setpiece.
    • *15
Duck It:
    • Iris and Eddie are driving you crazy.
    • You want Felicity on this show all the time.
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Tripping Up The Flash Season 01 Episode 03 "Things You Can't Outrun" Review


Way too proud of yourselves for this episode.
The CW
There cannot exist a hero without a villain. It’s a common adage in popular culture that villains and heroes feed off one another, existing together in some form of twisted symbiosis. The best heroes—whether they be of the “super” variety or the more mundane type, like police officers, firefighters and soldiers—have excellent, highly compelling foils. The Flash has a great hero for its main character. It has yet to present us a villain who is even memorable. Last week’s installment could get away with the terrible villain by focusing on the relationship between Barry and Joe, but this week relies heavily on themes the villain is explicitly representing.

Kyle Nimbus was an inmate literally sitting in the gas chamber before the infamous accelerator explosion. While the gas suffused the chamber, the accelerator was killing Caitlin’s boyfriend, Ronnie Raymond, and unleashing metahuman hell upon the unsuspecting population of the Gemstone cities. Nimbus gained gas powers which he decides to use to knock off everyone involved in his arrest and imprisonment. It’s a testament to the actors that they can explain and interpret his motivations without rolling their eyes. Nimbus is the epitome of cliché, but the show could have still at least created fun and diverse action sequences to explore his powers even if his characterization was just “psycho murderer”. Unfortunately, the most we see Nimbus do is turn into green mist and move through people. Even the method of defeating him boils down to… Wait until he gets tired. It’s hard to overstate how much of a supreme fail this is on the part of a show I was beginning to enjoy. 

Of course, staking the terms of an episode on its villain is doing a disservice to the other characters and themes that are explored. So… what else did “Things You Can’t Outrun” really want to say? Considering the title, it’d be easy to think the reference was to grief and regret. Joe West is reviewing footage of interviews Barry’s father gave, now that he’s certain Barry was right all those years ago. He even decides to visit Papa Allen by the episode’s end. While there’s poignancy to seeing Barry’s father interact with Joe and, in a later scene, his son, we don’t really learn anything new from their scenes. Thankfully, the S.T.A.R. Labs storyline is much more interesting. For starters, we get a lot of new information the night of the accelerator explosion. Turns out Ronnie Raymond (Robbie Amell of the sorely missed The Tomorrow People), Caitlin’s dead boyfriend, wasn’t supposed to be at the lab that night. He just wanted to visit his fiancé when the reactor started tripping balls, and he volunteered to engage the shutdown valve. Amell does an excellent job creating a character we genuinely care for with his boyish charm and coy wit, especially given his limited screen time. He and Panabaker really make this shortly remembered relationship ring true. I’m even more inclined to appreciate Cisco after the episode, since we learn Ronnie told him to keep the reactor door shut if he didn’t make it back in two minutes. Cisco channels courage and conviction I didn’t know he had by refusing to let Ronnie’s sacrifice be in vain. Just as Caitlin struggles to run from her depression after Ronnie dies, Cisco is struggling with his guilt. 

The purpose of all this reliving is to figure out a way to use the accelerator to contain the metahumans Barry faces every week, a necessary evil unless Barry plans on killing them all (he doesn’t). The end result, of a prison to house Kyle Nimbus (AKA The Mist), is that we see the characters able to fully put the painful memories of the accelerator behind bars and throw away the key as well. But this single proficient plot thread isn’t enough to stave off the feeling of aimlessness The Flash is beginning to conjure. Iris West is still trying to hide her and Eddie Thawne’s relationship for no conceivable reason. She mentions she didn’t want to define the relationship (“DTR” for all you cool kids that also watch MTV’s Awkward. What? No one? Alright then…) just yet, but it’s justification worthy of an eyeroll rather than genuine consideration. Beyond that, we still don’t have an idea of who Iris West is without focusing on the men in her life. It’s fine to have a love interest, but give her something other than romance to focus on. Laurel Lance over on Arrow is a successful District Attorney pursuing bad guys without having to put on a hood when the series starts, and now she’s beginning to go the hero route! The only thing I know about Iris West is how she feels about the men in her life. Three episodes in, this shouldn’t be a thing. 

While the third outing a TV series shouldn’t be expected to be a masterpiece, this show has the same creative team as Arrow, one of TV’s most compelling dramas with well written characters—both heroes and villains. If The Flash is to have any hope of being successful, it needs to up the ante on the bad guys and give us a reason to care for all the characters.  


Score: 6.0

Duck It:

  • You like interesting villains. Or at least interesting ways to defeat villains.
  • You're tired of Iris West being all about her men. Seriously, give Candice Patton a real character!
  • You're ready to either explore who framed Barry Allen's father or just stop talking about it.
    Watch It Like a Fox:
      • You want to see Caitlin smile.
      • "Teen me lived for danger!"
      • You hate to miss the technical first appearance of SPOILER: One half of Firestorm
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    Picking Up Speed The Flash Season 01 Episode 02 "Fastest Man Alive" Review


    I’ve outlined before the many ways in which a pilot of a television show can be drastically different from the series on a weekly basis. The purpose of a pilot is to introduce major characters and tease upcoming storylines, but all TV shows are, by their nature, meant to avoid resolution to the central theme for as long as possible. Or, if the central theme is resolved, create a new theme that leads out of it. Point is, a Pilot is hardly the best thing to judge a TV show off of, even if it’s the only thing you’ve got. I was thoroughly unimpressed by last week’s overstuffed, uninteresting series premiere of The Flash, but this week’s episode has me much more excited for the series. 

    The first bit of course correction involves getting away from Iris and Barry’s romance. Iris is in a relationship with Eddie and Barry is in a relationship with his newfound powers. The fact that they have very little time for each other isn’t made out to be some huge tragedy, or the beginnings of a painful “pining for the woman you can’t have” story, but instead just a natural way of allowing the characters to drift apart. Though there’s a scene where Barry confesses to Iris about his abilities and hints at his jealousy, it’s played for laughs as he spills his guts at superspeed. 

    The rest of the characters are also granted real personalities, with Caitlin being more than just the ice queen, Harrison Wells revealing more sliminess and, most notably, Joe West stepping back up with his role as surrogate father to Barry. “Fastest Man Alive” puts the relationship between Joe and Barry front and center, it benefits greatly from doing so. Flashbacks reveal Joe prevented Barry from visiting his father in prison. A young Barry, eager to prove his father was innocent, lashes out at Joe, only later to find out that his father himself wanted Barry to avoid visiting him. The entire dynamic between the two is the cornerstone of the episode, and when Joe finally comes around to supporting Barry as a hero, it makes you want to clap and cheer. If there’s one difference between this show and Arrow, it’s the fact that it is up front about being a feel good, more whimsical take on superheroism, and this scene exemplifies this mission statement perfectly. 

    Unfortunately, the superheroics are less impressive. One of the things I pointed out in last week’s review was that the Flash is a rather overpowered hero, if used to his full potential. I wondered how the series would get around him literally being faster than anyone else in the world, and rather than approach the issue head on, the writers kind of wrote around it. While they explore some legitimate weaknesses of having super speed, like having a metabolism that requires hundreds of thousands of calories instead of hundreds, Barry’s mostly held back from instantly beating the villain du jour because he chooses to fight at normal speed. With no explanation. There’s a bit of course correction towards the end, but it’s never fully explained why Barry runs up to the insane gunman Danton Black, AKA Multiplex (an enemy that will almost certainly be reappearing considering he’s FireStorm’s arch nemesis in the comics) at superspeed, only to start trying to fight him with completely visible movements. Towards the end Barry runs at clones using his superspeed to send them catapulting through the area in a fantastic display, but he once again slows down intermittently during the final fight. 

    To add insult to injury, Danton Black is just as bland a character as last week’s Weather Wizard. While Arrow always focused less on the villains, that show almost always made at least a mildly entertaining foe for Oliver to defeat. Artful Dodger’s roguish charm and explosive collars, and Vertigo’s general insanity made them stand out. The only thing I’m likely to remember about Danton Black is the actor’s excellent robotic face. 

    All in all, “Fastest Man Alive” effectively slows the series down, putting character first and superheroing second, for a satisfactory second installment. 


    Score: 7.5

    Watch It Like a Fox:

      • Characters are becoming more independently interesting.
      • Intelligent weaknesses and drawbacks.
      • Harrison Wells is shaping up to be the perfect season (series?) long antagonist.
    Duck It:
      • The villains are still pretty lame.
      • Cisco is still pretty insufferable.
      • Barry's a little too stupid when it comes to using his powers. Run as fast as you can and punch at the same time. It's a thing you can do, Barry.
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    Style Over Substance: The Flash Season 01 Episode 01 "Pilot" Review

    Image Credit: The CW


    I am not a very big fan of The Flash by any means. I hardly followed DC comics at all until very recently (like, since the New 52, which is apparently the worst time if I’m looking for quality stories involving DC characters, but I digress). The Flash was kind of the lowest guy on my list of characters to check out. Well, maybe above Hawkman. The entire concept of his character seemed hopelessly futile. I mean, it’s one thing to make a superhero who’s super smart or super strong, or incredibly resilient to damage. These kind of heroes can still display limits to their “superness” and have interesting battles and issues involving the balance of their personal lives. If you’re “the fastest man alive,” though, the biggest problem you’re likely to face is… You know what, the sex joke is too easy. Point is, I never understood how any villain wouldn’t be hopelessly outmatched by The Flash. 

    He can literally run fast enough to go back in time. There was even a half-hearted meme developed to illustrate how ridiculous his powers can become. Approaching the “Pilot” for this spinoff of the CW’s critical and ratings darling, Arrow made me very apprehensive precisely because Barry Allen had all the hallmarks of being an unstoppable super powered dynamo with no one in the much more realistic take on DC Universe that was the world of Arrow. Turns out, I should have been worried about the amount of interesting storylines and believable character motivations. 

    Given that it is a pilot, I can cut this first episode of The Flash some slack. It had to drop in a whole slew of information to allow us to get acquainted with the main cast. But of the cast, only Barry (played by Glee’s Grant Gustin) and his surrogate father, detective Joe West (Jesse L. Martin) are intriguing enough to make me want to tune in. Candice Patton’s Iris West, daughter of the aforementioned detective, vacillates between being mildly annoying and downright frustrating. She spends her time either teasing Barry or getting hot and heavy with the new detective, Eddie Thawne (Rick Cosnett) rather than actually connecting with her childhood best friend. Rounding out the cast are Danielle Panabaker and Carlos Valdes as Caitlin Snow and Cisco Ramon, two hot shot scientists at S.T.A.R. Labs, a prestigious research center that enjoys long walks on the beach and creating catastrophes via exploding particle accelerators. Their boss is the amicable Harrison Wells (Tom Cavanagh), who has become a paraplegic by the same particle accelerator accident that put Barry in a coma and gave him super speed. 

    While those who previously watched Arrow will remember Barry’s lab accident from the backdoor pilot last year, The Flash gives us a bit of precursor showing Barry in his day job as a CSI before then replaying the events of said episode. Then, after 9 months in a coma, Barry wakes up with chiseled abs and the ability to run at hundreds of miles per hour. Wells takes him under his wing and explains that the particle accelerator probably created more “metahumans” in the gemstone cities. Across town, the police are dealing with a deranged bank robber named Clyde Mardon who was previously thought to have died in a plane crash on the night of the particle accelerator malfunction. He naturally has the ability to control weather, and uses it to create very scary rain clouds, necessitating the police back off for fear of getting wet. 

    Barry finds out about Mardon and has it in his head that he should do something. Cue obligatory Green Arrow cameo. Oliver gives Barry the motivation to step up and do something, even though his new coworkers at S.T.A.R. are against it as he can’t control his speed so well. But even for a superhero show, this is a weak obstacle that is clearly there to run up the clock before the fateful showdown. Wells basically says as much towards the end with his generic diatribe about how he was afraid for Barry to step up to the plate. Maybe he just wanted to wait until Ramon finished his super special speedster jumpsuit. Which, I won’t lie, did look fantastic. After suiting up for the first time the pilot really does kick into high gear and become worth the wait. Though the Weather Wizard is ill defined throughout the overstuffed episode, he does get a magnificent (temporary?) send-off as he whips up a powerful tornado. Flash runs against the wind and cancels the storm. You might say he rained on Weather Wizard’s parade! (Puts on sunglasses). Detective West sees Barry’s superheroic display and has no doubt in his mind that strange and seemingly impossible things are out there. Of course, Barry knows this all too well. He previously witnessed what looked like lightning murder his mother when he was 11, and has been trying to find out the cause of this event to clear his father’s name. 

    As far as Pilot’s go, The Flash is serviceable. It creates the world and infuses it with a colorful character. But the supporting characters are all one-dimensional with only the barest hints of depth. Barry’s motivation to become a hero is also rather slim. While Arrow showed that avenging a loved one is a believable goal, The Flash is predicated upon something mysterious and otherworldly ending Barry’s mother’s life. While he doesn’t have to have a “hit list” of people who have failed his cities, Barry should have a more concrete reason for putting his life on the line. Especially when Detective West points out that his becoming a blur of justice could endanger Iris and all his other friends and family with the least amount of subtly possible. Especially when Barry should know how Oliver lost his mother recently, and how many times his other friends and family members were endangered by his night life as a vigilante. 

    And I suppose that’s really where my biggest gripes lie with the show as it stands: there is just no way I can see it existing in the same universe as Arrow. The score is light and happy, with just a hint of mischief, making the stakes feel that much lower. The fact that Flash taken to his most ridiculous extremes is kind of a Deus Ex Machina makes it that much harder to connect with the characters. There are plenty of ways a human with a billion bucks can fail himself, his city and his family. But how is a hotshot CSI with the ability to break the sound barrier going to be at risk of failing anyone? The suffocating optimism even leaks in through the way the characters address Barry’s coma—sure, they’re sad, but his love interest moves on to another guy in a few months. Over on Arrow Laurel wasn’t over Oliver after 5 years! There is a lot of potential for this show to be something great, but I can’t give it a full recommendation or condemnation because it is really splitting me with the light hearted tone and less than interesting characters. The Flash may be fast, but it will have to do some serious running to catch up the greatness of its sister series.
     

    Score: 6.5

    Watch It Like a Fox:

      • You're a huge fan of the character.
      • The fight between Weather Wizard and The Flash is pretty fantastic.
      • You're interested in a wholly light hearted and fun romp through superheroland.
    Duck It:
      • Lots of characters, but few of them are interesting.
      • You want a grittier, more Arrow feel to your superheroes.
      • You're tired of female characters who have nothing going on besides their love life.
      • It's just not right to you how Barry wakes up with a fantastic body. Salmon ladder or bust.
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